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ROCK 'N' ROLL
The youth culture following World War II produced a large teenage
market, and from around 1955 a new dominant style developed: ROCK AND
ROLL, which combined elements from white country-and-western music
and black rhythm-and-blues. Rock 'n' roll used the 12 bar blues
chord pattern from jazz, but now played faster with electric guitar
and a lead singer. It appealed to teenagers because it was
different, it was rebellious, and it was their own music.
In 1955 Little Richard exploded onto the scene with Tutti fruitti,
screaming the words and pounding on the piano. Two other black
'pop' stars of Rock 'n' roll were Chuck Berry and "Fats"
Domino, and two white stars were Elvis Presley and Buddy Holly.
The most famous Rock 'n' roll group was Bill Haley and the Comets who
created a sensation with the film Rock Around the Clock in 1955.

Chuck Berry
"Fats" Domino Buddy Holly and the Crickets
Rock 'n' roll was heavily marketed to mass audiences, especially
teenagers. England's contribution to Rock 'n' roll came towards
the end of the 1950s with Cliff Richard and Tommy Steele.
ELVIS PRESLEY
Elvis Presley's first record, That's All Right Mama was
released in 1954 and took America by storm. His unique singing,
swivelling hips, guitar held low and arrogant sneer combined to
create a spectacular stage performance. In 1956 he secured a
contract with RCA and won international fame with a string of no.1
hits such as Heartbreak Hotel, Hound Dog, Love Me Tender, It's Now
or Never, and Jailhouse Rock. By 1956 he had sold
more than 20 million records. After two years military service,
he returned in 1960 a changed man and performer. He now had a
clean cut image and altered his style to suit an older audience.
His music lost a lot of its rock 'n' roll bite and became slower,
gentler and more ballad like. It's Now of Never, Return to
Sender, Are you Lonesome Tonight and Wooden Heart were all
no.1 hits in the UK.

He starred in 27 Hollywood films during the 1960s, but his
popularity started to decline due to competition from British groups
such as the Beatles. His output decreased due to him growing
less inclined to leave the comfort of his Graceland estate in
Memphis. A live televised show was transmitted all over the
world in 1973 and set a world-wide audience record. He died in
1977, at the age of 42, from a drug induced heart attack. By
the time of his death he had sold over 600 million records.
Since his death he has sold a further 100 million records. His
singles have spent a total of 1149 weeks in the British charts,
making him by far the most successful recording artist of all time.
1960s
Pop music belonged to Britain in the 1960s, and for the first time
Britain led America in pop trends with the Beatles and the Rolling Stones.
THE BEATLES
The Beatles - Paul McCartney, John Lennon, George Harrison, and
Ringo Starr - have been the most influential performing group in the
history of pop music. Their music, hairstyle, dress, and
lifestyle were imitated all over the world, resulting in a phenomenon
known as Beatlemania.
The Beatles were formed in 1957 when John Lennon and Paul
McCartney formed a group called the Quarrymen in Liverpool. By
1960 they had changed their name to the Beatles. They had grown
up with the American rock 'n' roll of Chuck Berry, Little Richard,
Buddy Holly and Elvis Presley. The Beatles played this music
but Lennon and McCartney started writing their own material for the
band. Their manager Brian Epstein signed them to EMI and in
1962 they released Love Me Do which reached no.17 in the
charts. Their next single Please, Please Me went to no.1
and was followed by 17 other number one hits as well as many others
in the top 20. By 1963 they had conquered the pop scene in
Britain, Europe and America. By 1964, when the Beatles first
toured the U.S., the main instruments of 1960s pop had emerged:
electric lead guitar, rhythm guitar, and bass guitars; drums; and
often piano or electric keyboard. This established a musical
pattern in their line-up which was to be copied for years, marked the
final split from the style of pop music whose connections went back
to the Swing era, and heralded the 'media' influence on
pop. The Beatles reacted against the fashions of Rock 'n'
roll and the term Rock began to replace Rock 'n' roll. The Beatles
stopped touring in 1966, because most of their most imaginative music
was achieved in the recording studio and could not be duplicated
live. The Beatles had 39 top 40 hits in the British Chart,
including 18 no.1s. Every Beatles album went to no.1 resulting
in 1160 weeks in the British album charts.
THE BEATLES' SGT. PEPPER'S LONELY HEARTS CLUB
BAND (1967)
The Beatle's experimental style can be seen in the Sgt.
Pepper's Lonely Hearts Club Band album of 1967. It was
entirely different from anything which had gone before and was to
change the entire face of pop music. The lyrics were often
weird and shocking. Advanced technological tricks such as
varying the speed of instruments and vocals, echoing sounds, and
advanced multi-track recording all contributed to produce a
revolutionary sound. Paul McCartney had conceived the idea of
the Beatles taking on the role of a fake group, called Sgt. Pepper's
Lonely Hearts Club Band. The Top Ten selling albums in the UK are -
1.SGT. PEPPER - THE BEATLES1967-4.25 MILLION
2.BAD - MICHAEL JACKSON1987-3.9 MILLION
3.STARS - SIMPLY RED1991-3.6 MILLION
4.BROTHERS IN ARMS - DIRE STRAITS1985-3.6 MILLION
5.(WHAT'S THE STORY) MORNING GLORY - OASIS1995-3.6 MILLION
6.GREATEST HITS VOLUME ONE - QUEEN1981-3.3 MILLION
7.THRILLER - MICHAEL JACKSON1982-3.3 MILLION
8.THE IMMACULATE COLLECTION - MADONNA1990-2.7 MILLION
9.THE VERY BEST OF ELTON JOHN - ELTON JOHN990-2.7 MILLION
10.BUT SERIOUSLY - PHIL COLLINS1989-2.4 MILLION
Sgt. Pepper was the first rock album to be presented as a unified
song cycle. The cycle's thirteen songs are unified by the
device of a music hall show in which the audience is entertained by a
dazzling variety of acts. The opening two songs are addressed
to the audience, and we hear the sounds of crowd noises, instruments
being tried out, applause, and the brasses of Sgt. Pepper's
band. This first song acts as an overture for the whole album.
The closing song of the first side - Being for the Benefit of
Mr. Kite - tells the audience about an evening performance.
The inspiration for this song was a circus poster which John
Lennon had bought from an antiques shop in 1967. The poster
describes the acts at a performance taking place in 1843.
A song about a real person is Lovely Rita composed by Paul
McCartney after getting a parking ticket outside his record company
offices. The traffic warden who gave McCartney his parking
ticket was called Meta Davis.
A more peculiar song which appears on the Magical Mystery Tour Album
is I am the Walrus. The original inspiration for this song
was a letter sent to John Lennon by a boy at his old school, Quarry
Bank, telling how his English class were analysing the Beatles'
lyrics, a fact that Lennon found hilarious as his old English
teachers had dismissed him as a talentless disrupter. The words
are based on the playground chant 'Yellow matter custard, green slop
pie, All mixed together with a dead dog's eye'. He added to
this a string of lyrics which in a meaningless fashion attack
education, art, culture, law, and religion. The song was banned
by the BBC for its use of the word 'knickers'.
Contributing to the record's musical continuity is the return of
the opening Sgt. Pepper's Lonely Hearts Club Band as the
second to last song, as well as the fact that there are no pauses
between the first two songs and between the last three. Two of
the LPs most original songs are Lucy in the Sky with Diamonds
and A Day in the Life. Lucy in the Sky with Diamonds
evokes a world of fantasy and daydream. It was a controversial
song because some critics believed the title stood for LSD (i.e.
Lucy, Sky, and Diamonds), LSD being an Hallucinatory drug.
Apart from its introduction, the song is made up of three sections
that are repeated: A, B, and C. Sections A and B are relatively
soft with three beats per bar. In contrast, section C (the
chorus) is loud, heavily accented and with four beats per bar.
The concluding song, A Day in the Life, uses electronic
effects with an inventiveness ous stage acts appeared.
Performers included the Byrds, The Who, Jimi Hendrix, and Simon and
Garfunkel. There were also some experiments with harmony, form,
and instrumentation (sitars and synthesisers), notably by the
Beatles. By the end of 1969 flower power had withered and died.
JIMI HENDRIX
Jimi Hendrix was an American guitarist who, with his band the Jimi
Hendrix Experience achieved chart success in the late 1960s.
His 1967 song Purple Haze demonstrated explosive guitar work
and unusual lyrics such as "Scuse me while I kiss the
sky". Hendrix created all kinds of new and strange sounds
from his guitar by using distortion, feedback and wah wah pedal.
Part of his appeal was his wild and violent stage act which involved
playing his Fender Stratocaster with his teeth and behind his
back. On stage he usually used 9 amplifiers and 18
speakers. He often brought the show to a climax by setting
light to his guitar. In 1969 the Jimi Hendrix Experience broke
up and Hendrix continued as a soloist. In 1970 he performed
before an audience of 250,000 at the Isle of White Festival. In
September 1970, Hendrix died from an overdose of drugs. He was
just 27.
Hendrix was one of the most creative and skilful performers in pop
music. he opened up new opportunities for a generation of rock
musicians, particularly in the fields of heavy metal and hard rock.
REGGAE
In the late 1960s, Reggae developed from Jamaican calypso and
American rhythm and blues. It was also heavily influenced by
the hymns of the Christian Revival Churches and the Rastafarian
movement (Rastafarianism was a religious movement amongst the blacks
in Jamaica). The influence of Rastafarianism can be
seen in the lyrics of many reggae songs which often speak of
'Babylon'. 'Zion' and other religious subjects.
In reggae the emphasis is on the rhythm provided by the drums,
guitar and keyboard. Only small snatches of melody are heard.
The most famous reggae artist was Bob Marley. His music was
particularly influenced by gospel songs. His lyrics often dealt
with Rastafarianism and the need for political change. He also
wrote haunting songs such as No Woman, No Cry. In 1981,
at the height of his popularity and influence, Bob Marley was struck
down by cancer. Since then reggae has continued to be part of
the pop scene amongst both blacks and whites. Groups such as
Aswad and UB40 continue to spread protest against youth unemployment
and racial tension.
1970s
In 1970 Jimi Hendrix died, the Beatles broke up and Simon and
Garfunkel went their separate ways. No one style dominated the 1970s.
BOB DYLAN
One performer who spanned the 1960s and 1970s was Bob Dylan.
Dylan's early songs were accompanied by his own guitar and blues
harmonica. Songs such as Blowin in the Wind became
immensely popular and were adopted by many teenagers as anthems for
peace, and against racial discrimination. Dylan's attraction
was perhaps that his music was raw, natural and in complete contrast
to the increasingly studio-created sounds of other major groups.
As a performer, Dylan's voice was harsh and nasal and his acoustic
guitar accompaniment very ordinary. However, as a songwriter he
was outstanding. Dylan's work encouraged a whole generation to
have confidence and speak out for themselves. His songs
influenced other writers and performers including the Beatles
and the Rolling Stones. Dylan's later material was backed by a
rock band, and his efforts as a songwriter do not seem to have
matched his earlier work.
The 1970s also saw the establishment of some hard rock styles such
as Heavy Metal - Led Zepplin, Black Sabbath, etc.
HEAVY METAL
Heavy metal is a mainly British and American style of Rock
consisting of very loud, distorted 'power chords' played on the
electric guitar, high pitched guitar solos and a stomping drum
beat. Vocals are often delivered in a screeching or barking
style. The lyrics are often concerned with rebellion, sex,
violence, death, and Satanism. Stage performances are often
theatrical with flashing lights and explosions. The guitar
heroes of the late 1960s such as Jimi Hendrix and Eric Clapton
experimented with long experimental twisted guitar solos, heavy bass
accompaniment and thunderous drumming.
In 1968 the first real heavy metal band, Led Zepplin, was
formed. The 1970s saw the formation of other successful groups
such as Black Sabbath, Deep Purple, ACDC and Iron Maiden. In
the 1980s Thrash metal groups such as Metallica, Megadeth and Anthrax
played a fast and furious style with aggressive lyrics screamed at
the audience.
Some of the 1970s pop trends can be identified as -
1.'Glam' Rock, e.g. Sweet, Slade, Marc Bolan, Gary Glitter
2.'Ideal People', e.g. The Osmonds, The Jackson 5, The Monkees,
Abba, The Carpenters
3.Solo Male Stars, e.g. David Bowie, Elton John, Rod Stewart, Bob
Marley, Stevie Wonder
4.Solo Female Stars, e.g. Tammy Wynette, Dolly Parton,
Olivia Newton-John, Suzi Quatro
and many more.
GLAM ROCK
Glam Rock was a fun version of basic rock 'n' roll.
Performers wore outrageous outfits complete with platform boots and
make up. Marc Bolan and T Rex had 12 Top 10 hits in
1972-73. Gary Glitter reflected the fun, comic side of glam
rock, and between 1972-75 he turned out 11 top ten hits including
three no.1s. Elton John was also an outrageous glam rock star,
as was David Bowie, both of whose work has outlasted the glam rock
era. The rise of Punk Rock in 1976 saw the end of the glam rock
era. Those performers who survived, such as Elton John and
David Bowie, did so by changing their image and style.
ABBA
This Swedish pop group were formed in 1972. They
decided to perform their songs in English so they could sell their
records to the much larger markets of Britain and America.
Their nine years of fame produced nine no.1 singles and eight no.1
albums. From 1975 their song S.O.S was to be the first of
eighteen consecutive top ten hits. Mama Mia, Fernando,
Dancing Queen, Knowing Me, Knowing You, Money, Money, Money and Supertrouper
achieved tremendous sales figures. By 1978 ABBA were earning
£16 million a year. Statistically they are the second most
successful group of all time after the Beatles.
Their success was due to well written and cleverly arranged songs
with catchy melodies and bright rhythms, making a very commercial
sound. The group disbanded in 1982, but still have chart
success with re-released material such as the albums Abba Gold
and More Abba Gold.
In the late 1970s, uncomplicated rhythmic disco music became
popular for dancing. Three other branches of 1970s pop music
deserve individual attention: Soul, Funk and Punk.
SOUL
Soul has its origins in Black American music from the end of the
1800s, and has been written and performed mainly by
Afro-Americans The 'pop' form of soul emerged in the early
1960s as a mixture of the preaching style of gospel music and the
more worldly themes of the blues. Soul is as much a style of
presentation, of feel and of mood, as it tries to move an audience by
communicating the strongly felt emotions of the performer. This
often involved sobs, sighs, and high pitched shouts.
A pioneer of soul music was James Brown. He has achieved
over 50 Top 40 hits in the USA and is still a major force in soul
music. Tamla Motown and the Atlantic Record Company, with
artists such as Diana Ross, the Supremes, Stevie Wonder, Aretha
Franklin, Otis Redding, The Platters, and Roberta Flack, have
produced traditional soul and a style of soul substantially watered
down by the bright and simple melodies of mainstream pop.
During the 1980s soul influenced a number of singers such as
George Michael, Annie Lennox and Phil Collins. In the 1990s,
Lisa Stansfield has achieved success with a style very close to soul.
FUNK
Funk developed in the late 1960s more as a kind of dance music
rather than something to be listened to. It mixes elements of
early soul with white rock music to produce a fast and furious sound
performed on stage with much energetic movement. The real creator of
modern funk was James Brown. He developed a powerful stage act
with incredible footwork. His 1965 hit Papas got a brand new
bag shows the feverish side of funk.
Other funk performers include Sly and the Family Stone.
During the 1970s, Stevie Wonder began to experiment with synthesisers
and drum machines to produce an electronic version of funk. It
was from these early beginnings that Prince and Michael Jackson
developed the electro funk sounds of the 1980s. Michael
Jackson's Thriller album achieved sales of 40 million
world-wide. Electro funk has also influenced Bowie, Duran Duran
and INXS.
PUNK
By the mid 1970s the rock stars of the 1960s such as the Beatles
and the Rolling Stones were wealthy men in their 30s who had little
to say to the new generation of teenagers facing unemployment and
lack of money. Equally, the sugary lyrics of disco bands such
as Abba did not appeal. From about 1976 the punk rock movement
emerged to challenge these bands. Punk fashions of safety pins
through the ear and nose, and mohican hair styles were intentionally
outrageous. Punk music was similarly shocking. It was a
raw amateurish style with negative and often obscene lyrics were
shouted to tuneless melodies. These were usually drowned out by
distorted instrumental backing with guitars sounding like chain saws.
This fairly short lived movement in pop history has left its mark
on a good deal of 80s music. The Sex Pistols, formed in 1975,
led the way and sought popularity by making themselves as unpopular
as possible. The band members gave themselves names such as
Johnny Rotten and Sid Vicious. They were sacked by their record
company for swearing too much on a live television show. They
signed up with Virgin records, but many shops refused to stock their
records because of the obscene lyrics.
Nevertheless, they were popular with teenagers and had 11 hit
singles in 3 years. Many performances were marked
by extremes of costume and staging. Inevitably, Punk could only
last a short time, and when the Sex Pistols split in 1978, the Punk
movement was over. Punk groups such as The Damned, The Clash,
The Jam, and the Stranglers survived by developing a more
sophisticated style than their earlier punk days. By the 1980s its
American version 'New Wave' lent a sufficiently respectable aim to
the movement to allow it to continue.
NEW WAVE
New Wave developed out of Punk in the late 1970s. New Wave
was gentler, more sophisticated and more commercial. Electronic
drum machines created a simple, repetitive beat. Melodies were
not strong and vocal were often high pitched, toneless and sounded a
long way off. In America The Cars, Talking Heads, Devo, the
B-52s and Blondie were formed. Blondie were probably the most
successful New Wave group. In Britain New Wave bands such as
Dexy's Midnight Runners. Orchestral Manoeuvres in the Dark, The Human
League, The Jam, The Cure, Simple Minds, U2 and The Police became
popular during the late 1970s and early 1980s.
1980s
In the 1980s the pop video was firmly established. Even
though this method of selling pop records was evident in Elvis
Presley's 27 films (both at the cinema and on home film projectors),
it was only in the 1980s that video recorders came down in price so
that most homes could afford one.
Adam Ant is a perfect example of a pop star who used video to sell
his records in a highly efficient manner - creating a new character
in each video.
Other notable British groups of the 1980s were Bananarama, Depeche
Mode, Queen, Level 42, Simply Red, Spandau Ballet, UB40, and Wham
!. Some have still shocked parents with their appearance, such
a Boy George in Culture Club, but many groups cultivated a clean tidy
image such as Duran Duran.
Some groups, such as Norway's A-ha, produced revolutionary videos
to promote their music.
1990s
HIP HOP, RAP and HOUSE MUSIC
Hip Hop music developed in South Bronx and Brooklyn districts of
New York in the late 1970s as a reaction to the dull offerings of the
disco music scene. Hip Hop has a strong rap and rhythm element
but the melody is often weak.
Also in the 1980s, vigorous talk-song style of
Rap became extremely popular among black teenagers. 'Rap' is
Afro-American slang for talking and it was developed by DJ's to
introduce their records. It consists of a rhyming verse spoken
to a pulsating beat. The words should be improvised and they
often comment on social problems such as drugs and unemployment.
A more jerky and complicated rhythm was produced by the DJs altering
the ready made music of other performers using scratching and mixing
techniques. Scratching involves moving the disc quickly by hand
backwards and forwards under the stylus to produce a rhythmic,
striking effect. Mixing consists of using two turntables with
variable speed controls to join or blend two tracks together.
At first Hip Hop could only be heard live at dances and parties but
as the style caught on recordings were made. During the late
1970s a number of Hip Hop bands developed which had chart
success. In 1979 The Sugarhill Gang had hits, as did other
groups such as Grandmaster Flash, The Furious Five, Funky Four Plus
One, and Soul Sonic Force.
By the 1980s, Hip Hop had developed into a fairly harsh,
repetitive and aggressive sound. During the 1980s British and
American artists such as Public Enemy and MC Hammer have become
internationally famous. Break dancing has also developed
alongside which is usually spectacular with acrobatic spins and
martial art motions. Michael Jackson's Moonwalk is a typical
dance step.
House Music developed in the mid 1980s. It was developed by
DJs who wanted to create their own form of dance music to replace the
commercialised disco music which had been in the charts since the
success of film Saturday Night Fever. The sound is usually
fast, full of electronic noises with an overwhelming beat but
virtually no melody. The vocals are short phrases, repeated
over and over again. A favourite device was to use a sampler to
take part of a word and repeat it several times to produce a
stuttering effect. The most famous House Music record was
M.A.R.R.S. Pump up the Volume.
RAVE
Rave developed from the acid house music of Chicago, and is
essentially dance music. It uses an oscillator to produce weird
and warped electronic sounds, similar to the psychedelic music of the
1960s. Rave uses all the techniques of house music, powerful
rhythms, virtually no melody, and minimal vocals, but is usually a
lot faster, often 180 beats per minute. Leading rave bands of
the 1990s have been Orbital, Moby, Human Resource, Altern 8 and the Prodigy.
The late 1990s have been dominated by Britpop bands such as Oasis
and Blur, as well as manufactured groups such as Take That, The Spice
Girls, Boyzone, The Backstreet Boys, and 911. Some folk music
elements are evident in the music of Irish bands such as the Corrs,
and B*witched. Superstars such as Michael Jackson, and Madonna
continue to have huge chart success.
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